This is hands down the best climbing guide I have ever purchased. Not only does McNamara replace the ambiguous beta from past books with straight-up ratings and tips, he also provides entertaining history and profiles to get you psyched. I also recommend "The Road to The Nose" book that Chris sells on his site ...

This is a great source for Yosemite Big Walls. It provides valuable information including strategies, ratings with relative comparisons to other big wall routes, approaches, precise topos, optimum belays and bivy locations, pitch-linking possibilities, weather/seasonal factors, and descent routes. For those interested in Yosemite Big Wall history, there is a section devoted to the pioneers of Yosemite Big Wall climbing that is quite interesting. All in all, a great book for Yosemite's Big Walls. Thumbs up!!

This book sets new standards for climbing guides. The production values are superb, and the information contained detailed and informative. If you're even thinking of climbing a big wall in Yosemite, buy this book. If you're a guidebook author, or thinking of becoming one, buy this and imitate it.

Books rarely hold my attention. Can't tell you how many I've started and put down. I started Larry Gatlin's book a few days ago and can't stop reading. Half-way thru the book, his re-telling of successes and failures have me grabbing for a kleenex every few pages. His reliance on God and coming back to God's grace are touching/inspiring. He gives God the credit for every moment that counts in his life that will connect to another open door (try to count how many times he writes, "another God moment.") His writing style is energetic, to the point, down to earth, honest - just as his personality is on stage. (I saw the Gatlin Brothers in concert in Kansas City 12/28/02). This book makes the reader rejoice as we watch him overcome alcoholism and substance abuse. Who wouldn't want Larry to win over these addictions, for his sake and his family's sake back home. He doesn't overdo the details but gives the full picture in few words. Keep the music coming Gatlin Brothers!

I'm a Larry Gatlin fan. His book is written as well as his songs. I was captivated by his life story which he described in such down to earth, honest words. And it is so funny.
What a talent!

I've been around the music business for the past 30 years, I have NEVER seen an artist be this honest and open about the rise and the fall of ones career. Larry lays it ALL on the line and this should serve as a wake up call for those that can not handle "life in the fast lane". Larry's story is 24KT solid gold. A real must read from someone who has certainly been there, done that.

As assistant director of the Mathews Memorial Library, I have made sure the Milford-Haven novels have been entered into our collection and they are now circulating. Patrons have enjoyed reading this series and we look forward to Mara Purl's next installment!

Both of the first two in Mara Purl's series of "Milford-Haven" novels were excellent. "What The Heart Knows" and "Closer Than You Think" were most enjoyable and entertaining. Once I got into them, I couldn't put them down!

As a reporter for the Japan Times in Tokyo (where Mara Purl grew up), I've followed Mara's career for a long time, and have lately mentioned her novels in my column. My only question is...do I have to wait 10 more books to find out what happened to Chris???

Raymond Chandler's creation, Philip Marlowe, is a character that has influenced modern fiction greatly. Without Marlowe the archetype of "private dick" would not carry the cultural weight that it does today. It is true that the plot lines of many Chandler works are contorted to the point of no return, but it is not the plot that counts. The reason why these books are so successful is because we the reader become enthralled by Marlowe and his immediate knowledge of all things that surround him. Because Chandler made Marlowe such a carefully wrought character, Farewell, My Lovely becomes an examination of the human character rather than a list of dastardly deeds committed by crooks without depth. Every scene is an interaction between fully developed characters. He defines himself in relation to the people and actions that whirl in and out of his life. Marlowe offers us plenty of insight into his opinion of his relations. Because he is such an endearing person we want to believe every word he says. He is a product of the LA scene where he works. We the reader build confidence in our hero because he is capable of sizing up any situation immediately. Slowly we learn to trust Marlowe's way of navigating the underbelly of LA. I truly enjoyed Farewell, My Lovely because Chandler forces through Marlowe an undeniable wit and charm. He will make you laugh and draw you into his brand of thinking about other characters. I wonder sometimes when reading Chandler about how Marlowe would size me up. I would recommend this book to anyone who enjoys reading about interesting characters and loves a wry wit and dark charm.

Seeing as how "The Big Sleep" and "Farewell, My Lovely" are the first two Philip Marlowe detective novels that Raymond Chandler wrote (published in 1939 and 1940, respectively), this is a grand place for a Chandler novice to begin pursuing the morally decrepit alleys and boulevards of the rich and not-so-rich in Los Angeles.

One thing you should note is that Chandler held the conventional detective stories (think: Agatha Christie) in disdain. Ergo, any attempt of mine to barf back the plots to you is a waste of time. They are so complex that you often forget exactly what happened shortly after you finish reading the books themselves...which doesn't detract from their quality whatsoever mind you. It's been told often enough that after their publication, Chandler often didn't even know what was going on in his own novels!

Suffice to say that both books concern murder among the wealthy elites in L.A. during Chandler's life--a time when the city was a lot smaller than its present size, and more hostile to outsiders--particularly to people of color. "The Big Sleep" concerns a disappearance and a reclusive millionaire and his two daughters (one is a mentally deranged nymphomaniac; the other is a bit more sensible, but no less shady) and the lengths he'll go to protect them. While this isn't the best Marlowe novel, this is probably the best place to start. Plus, it got made into a pretty good movie starring Bogie and Bacall.

"Farewell, My Lovely" is perhaps the most politically incorrect of the Marlowe books. It starts off with a murder at a bar in South Central L.A. and extends its tentacles into jewel heists and gambling rings where it is difficult to ascertain exactly who is doing what to whom. In Chandler's L.A., nothing is what it seems.

The story itself is engrossing, however, you must prepare yourself for Marlowe dropping the "N" word at least once, and his mockery of an American Indian for speaking in pidgeon English. Remember that this was 1940 and was 25 years before the Watts riots began to put an end to the white-dominated old boys network that used to rule L.A. That in itself makes it an interesting look at the mentality of the powers at be (the wealthy, the LAPD) and see how much has changed since Chandler's day...and how much hasn't.

My personal favorite of Chandler's books is "The Long Goodbye"--the second-to-last Marlowe novel that was published in 1954. I would rank both of these books below that one, but "Farewell, My Lovely" is a close second, while "The Big Sleep" is an auspicious debut for the hard-boiled, cynical, yet romantic ...

For those who are willing to take more than a passive interest in the works of Raymond Chandler, this two-book set is an excellent place to start. Furthermore, for those who are merely casual Chandler fans, this set is great because these two books are among his best (and it looks nice on your bookshelf too!)

I've always believed that Chandler was one of the great prose stylists of the 20th century. Read these two novels and try to disagree with me.

As a long-time resident of LA (though not a native), one hears the occasional whisper about Chavez Ravine. It's widely known that Dodger Stadium was built atop these old neighborhoods, in millions of cubic yards of landfill.

Oh, but at what a price.

Normark, who says in his introduction that he grew up in a town in Washington state peopled by Swedish immigrants that felt similar to these three warm communities, was in exactly the right place, at the right time, to capture on film the places and the homes and the people who lived in them that we now know were doomed to either be destroyed (the buildings) or ripped from their roots (the people).

His black and white photographs, made on a knockoff of a Rollei in medium format, have the tonal range very typical of this period -- all those fine shades of black and white that film noir fans should love.

But the people he's illustrating aren't sinister like those movies at all. They're deeply human, alive, a family both "nuclear" and extended. You see a young girl, her Sunday dress on, a soft smile on her lips, with a book titled "Enchanting Stories" on her lap. You see games of stickball in the street. Confirmations at the church. Families at their meals. Goats grazing on the grassy hills.

All this in a small community maybe two or three miles, at most, to the northeast of LA City Hall.

These pictures are married to the recent reminiscences, like the other reviews here, of both former Ravine residents and their families.

Seeing this book, one understands why, 50 years later, Los Desterrados -- the Uprooted -- have a picnic every year in Elysian Park, just behind their former homes.

The most haunting image, in some ways, for me: Palo Verde School. It wasn't razed for Dodger Stadium. The roof was taken off, and then the landfill came along. So the school is still there, buried under the Stadium somewhere.

So if any of my fellow Dodger fans ever hear kids playing in a schoolyard as we walk back to our parked cars... It might be well to listen to those voices just a bit more closely. And look to this book to see the children's faces.

Nestled in the hills between downtown Los Angeles and Pasadena is Chávez Ravine, site of Dodger Stadium and its acres of parking lots. Few baseball fans here could tell you that long before the Dodgers left Brooklyn, Chávez Ravine was the home of three communities of Mexican-American laborers and their families.

Don Normark, a young photographer in 1948, was climbing in the hills looking for postcard-shot views of LA when he discovered La Loma, Palo Verde, and Bishop. Each neighborhood was a rambling cluster of buildings, dirt streets, and footpaths. The wooded slopes of Elysian Park overlooked the ravine, and beyond were the peaks of the San Gabriel Mountains. He felt he had found another world -- a kind of Shangri-La. For many months, he returned to take pictures of what he saw and of the people he met there. He didn't know that he was recording on film the daily life of a place and its people that was about to disappear.

The pictures, of course, are black and white, a rich range of gray tones and contrasts under the cloudless southern California sky. In a casual street scene, two men stand talking on the hard dirt, and a third, his back to them, leans across a low concrete wall. All is in sharp focus from the dusty tire track in the foreground to the pointed tower of City Hall nudging up over a darkly wooded ridge in the distance. The mid-afternoon light reflects brightly off one man's tee shirt and from the front of a small white house farther on. Meanwhile, the shadows cast by eaves, palm fronds, parked cars, and the men themselves are deeply dark.

There are many pictures of people, of all ages. Some look into the camera. Most are busy working, walking, talking, playing. A young girl wears her confirmation dress. A boy watches his father repair a car. Two men spar under branches thick with bougainvillea blossoms. An iceman stands in an open gateway, tongs slung over one shoulder. A young woman arranges flowers on an altar. A workman returns home along a winding footpath at the end of the day (see book jacket above).

Fifty years later, Normark gathered together his pictures and began looking for the people who had once lived in Chávez Ravine. This book is an album of those pictures, with commentary by the people he found, in their own words. Normark writes simply and clearly about himself and his experiences. Like his photographs, his writing style is sharply focused. In the opening pages of the book, he describes the forced relocation of the people of Chávez Ravine during the Fifties, and the various public and private interests contending for control of its development. Normark's book is both handsome and beautifully written, a fine example of text and image illuminating each other.

This book is full of classic, socially-conscious photography that bears a spiritual kinship with Dorothea Lange's Depression Era photos of Dustbowl Families. The images are doubly rich: as Old School black and white images shot on a reasonable speed film, with a broad and caress-ably subtle range of grays, and also as a record of a time and place that was stolen, and will simply never be again.

For those who don't know the story, in a nutshell: The residents of Chavez Ravine, who were almost entirely Latino, were offered the promise that their community would be replaced by public housing as part of a renewal project of sorts. (Some had called their neighborhood blighted.) But as the land acquisition proceeded, and as various official pledges were reneged and political cards played (including exploitation of the then current fear of creeping Socialism/Communism-- after all, I ask you, what could be more unAmerican than affordable replacement housing?), the project proved to be a lie. The final hold-outs at Chavez Ravine were bodily removed by deputies as the last remnants of the neighborhood were cleared to make way for a sports field and parking lot. (!)

This volume is great because these photos, which speak so eloquently of one specific place and time, also speak clearly of universal things. Children play; young couples tie the knot as family celebrates; honest and good people work to protect what is theirs, to better their lot, and just to get by. -- It is about nothing less than the struggle and joy of life itself.

If there is any uplift to the wistful story this book tells in beautiful images and words, it is in that the displaced people survived, persevered, and that their old home, and what happened there, is remembered today.

Sometimes, you have to search for the bright spot. A thought-provoking read. Recommended.

Who among us hasn't struggled with the comnflicting strees of life - children, spouses, family, work - and tried to achieve a balance that will answer everyone's needs? For Dr. Renee Altman these all come crashing together when the center of her world, her daughjter Molly, is kidnapped. Det. Jessie Drake copnfronts her own individual conflicts as she races against time to find Molly and apprehend the kidnapper without endangering others who are objects of his hate.
Rochelle Krich draws her characters with such realism you feel like they are part of your life. She skillfully weaves the tension of the drama with character profiles in a way that draws you personally into the plot. As with all her books, this one is difficult to put down before the end. You'll be missing a wonderful treat if you don't read this and the other Jessie Drake books.

This is one of the most enjoyable books I have devoured recently. I am not a reader who keeps trying to figure out "who done it" before the author reveals the ending. But I truly appreciate a finely crafted mystery with unexpected twists and turns. Krich juggles several potential culprets convincingly. Just when I thought the ending was in sight, she turned another corner in the story line.

After reading this I had to find another title by Krich to see if she was this good or if she just wrote a real "winner." Having read _Speak no Evil_, I can say, "She is a wonderful writer." I also devoured the second book by her. Now I intend to find as many of her titles as I can. I hope her publishers take notice of her "out of stock" and "out of print" titles and make them available as soon as possible.

She is an author to discover, if you haven't read anything by her yet.

I really enjoyed reading this book, it was so good I almost finished it the same day I began reading it. I am looking forward to reading all future books that she writes. I am hopeful that her critics will put her up there with Faye Kellerman and others of her genre.

If you're looking for a nice synopsis of places in the bay area - this is the book for you. Just don't expect more than you'd find in the Phone book if you're in the South Bay.

I absolutely dreaded planning my wedding and this book was the only thing that saved my fiance and I from spiraling into madness. We are both from the East Coast, relatively new to the Bay area, and had no family here to help us. Neither one of us had ever been married before or helped plan a wedding. Here Comes the Guide was the single most useful tool for planning our wedding, and is reliable enough that we didn't feel the need to interview a ridiculous number of vendors for each service before choosing one. If a vendor we liked was recommended by the book then we knew they had to be good. Here Comes the Guide is concise, recommends cool traditional and non-traditional reception sites, and provides all of the information you need to plan your own wedding without the help of a wedding planner. The only area which was lacking was limousines and transportation. Pretty much everything else, including bands, calligraphy, invitations, cakes, vendors, tuxedos, reception sites, and florists, was there in abundance.

I was given this book as a gift soon after my engagement. At the time, I hadn't given much thought to where I wanted to hold the event. This book was a great help in finding several locations that were ideal. As the wedding market in Northern CA is rather busy, it was very nice to have several choices so that we could find a venue that was availible on our desired date.

This book contains accurate descriptions of venues, with information pertianing to the size, cost, and other key factors. It also contains less important but still useful information on catering options at each venue, music limitations, and other factors which can help a bride and groom say yea or nea to a location that is still site unseen.

I called over 20 phone numbers in this book and all were up to date and correct. I also found the pricing information almost dead on. The black and white pictures also gave an accurate impression of the venues.

This book was essential to my planning of a wine country wedding and I highly recommend it to anyone that is arranging a wedding in the bay area.

This book explores the world of gypsies, scamps and thieves and the offbeat group of Private Investigators who pursue them.

Always planning the next con, theft or bunko, a band of gypsies in San Francisco pull off a perfect crime. Using four branches of the same bank, slick tactics and phone banks, a group of gypsies manages to steal 32 cadillacs, all in the same day.
Facing a million dollar loss, the bank hires DKA, a local PI firm, to recover the stolen cars. Tipped off that a gang of gypsies was responsible, the DKA operatives, or repomen, start a chase that follows the cars across the US. Using very unconventional methods this quirky band of PIs, who are rejects and misfits, must use their wiles to "outcon the cons."

What makes this story really outstanding is the background tale of the gypsy life, description of how the cons are done and the plotting of the PIs to get the cars back. There is lots of action too including breakneck chases and escapes, including one where a DKA agent must leap into a car while his rear is filled with buckshot.

My favorite character is Ken Warren, a repoman with such a severe speech impediment that he barely communicates. But with extraordinary skills in hunting down and absconding with cars that no one else can get, he earns the respect of his fellow DKA agents.

A fun ride which I highly recommend.

Why Joe Gores isn't a better known author is a complete mystery to me. Ok, Ok, he's won 3 Edgar Awards and all, but still you don't hear his name mentioned too often when asking for recommendations. His DKA Files series are full of action, humour, cons and scams and in short are pure entertainment. Well, no matter, I've discovered him now and I'm here to tell you that the series, and 32 Cadillacs in particular, is one that's not to be missed.

For the first time, the DKA Agency is pitted in a head-to-head battle with San Francisco's Gypsy community following a Gypsy scam that had netted a grand total of 31 Cadillacs. This is a once-in-a-lifetime job, recover the 31 Caddys for a nicely negotiated fat fee. But the Gypsies are crafty specialists of the long con and are exceedingly difficult to track down, so the recovery process will require the DKA team to use every resource available as well as every underhanded trick in the book.

To give you a head start, I'll introduce you to the central DKA characters. They are, Dan Kearny, Giselle Marc, Patrick O'Bannon, Larry Ballard and Bart Heslip. And two new characters are added to the staff, Trin Morales, a sleazy Latino who failed on his own as a PI, and Ken Warren, the genius carhawk with a killer speech impediment. Both bring tremendous dimension and entertainment to the DKA team.

But the real stars of the book are the Gypsies, colourful in character as well as in their various ingenious scams. Although they're such big thieves that they'd make a kleptomaniac look like a saint, you can't help but like them and hope that every now and then they'll catch a break.

Joe Gores is an author who has walked the walk, having been an agent in the real life DKA Agency. His first-hand knowledge and experience is apparent as his agents work through their cases. Rumour has it that the Larry Ballard could very well be modelled on Gores himself.

As a final word, if there are any Donald Westlake fans out there who have read and enjoyed his Dortmunder book Drowned Hopes, I would urge you to read this one too with a brilliant crossover of storylines. This book was an absolute pleasure to read and, I know it's a much-overused catch phrase but I would term it a "must read book".

This book is full of heroes on all sides as DKA agents and gypsies strive to outwit each other throughout a very funny story. 32 CADILLACS is the best entry in the entertaining DKA series.

Gee, I wish I could write a book this good, and I wish all books written were this good. The "afterword" is not to be missed -- Mr. Rymer describes his process of writing the book, and how he, the scientists he interviewed, and most everyone who tried to "understand" Genie, all ended up understanding themselves in some humbling or transformative way. So did I.

I don't have a lot to say that the other reviews haven't addressed, so I'll keep it short.

This is a book about such lofty subjects as neurolinguistics and scientific ethics, yet it remains wonderfully readable to the average (but curious) person. It's a fascinating story (see the other reviews), but Rymer's real achievement here is rendering what could have been dry scientific data interspersed with horrific tales of abuse into a book that at no time exploits its subject for cheap sentimentality. We care about "Genie" because her shot at normal life was twice aborted, not because Rymer simply wants us to.

Recommended to any curious mind.

I have worked as an American Sign Language interpreter, and I am also a qualified behavior specialist. I currently work with autistic teenagers in developing community living skills. I have also worked with adults who have grown up in institutions, and have an array of "institutionalized" behaviors. Thus they have become severely impaired in their daily function, when they might have been habilitated to live independently. No matter how many times I see these situations, each one breaks my heart.

So I have more than a passing interest in the subject of this book.

That parents could strap a child to a chair and provide her no social interaction for thirteen years, with no one knowing boggles the mind. The whole family is a tragedy.

Russ Rymer documents Genie's habilitation after she is discovered, and freed from this captivity. She is more than a tragedy to some people, because she is also a scientific curiosity; she presents an opportunity to study a person who, deprived of social contact past the "critical point" in language development, never develops language skills beyond the semantic level.

Everyone wants a piece of her. Linguists want her, social psychologists want her, developmental psychologists want her; each with a different agenda. As for Genie, it is difficult to fathom what she wants. In the immediate present, she has remarkable non-linguistic communicative skills which she seems to possess intuitively. But what are her hopes, her desires for a permanent living arrangement, an education, she can't communicate, or even correctly understand.

It's no good to assume that she would want what a normal child wants. She doesn't respond to affection, doesn't appear to discriminate between people and objects at first.

The story is heart-breaking and fascinating. Rymer's narrative voice is kind and full of compassion for Genie, and although the book is written in a typical third person academic style, sometimes I felt that the narrator was the only one on Genie's side.

When Rymer senses that readers may need background information, he departs from the story for an aside on linguistic theory, or the story of the Wild Boy of Aveyron. He dips into Montaigne, Locke, Descartes and Chomsky, but it is all relevant as Rymer reports it. We get the dirt on the nasty in-fighting among custodians and scientists as well.

I hesitate to say you will enjoy this book, because the subject is so wrenching; you may cry a few times. But it is a page turner. And you don't need to know anything about linguistics or developmental psychology to appreciate it.

The southwest United States is a geomorphologist's dream... There's not a lot of green stuff covering up the beautiful geology! This book details the geologic features of Death and Owens Valley, CA. It gives the geologic history of features while succinctly describing the details of the processes that brought about these features. The Tufa Pinnacles in Searles Valley, the alluvial fans in Death Valley, the interesting history and development of Gower Gulch, the mysterious ascent of desert pavement, the glacial morraines and routes of the Tahoe and Tioga Stade glaciers at Convict Lake, the Mono Craters (Domes), Fossil Falls, the Alabama Hills and more. You'll even get the heebee jeebees when you read about the monstrous explosion of Ubehebe Crater! Certainly one of the most interesting and pleasurable books I've read in ages! Highly recommended for ANYONE who plans a trip to California's awe-inspiring Death Valley and environs! A must have!

Most years we vacation in Mammoth. This book describes a number of convenient and interesting side trips to take with the family. We wander around, sometimes visiting the same features, sometimes visiting a new site. Always appreciating more & more of the world around us. My children have a much better feel for geological processes and their impact on the landscape than do their peers.

The book starts with a five page description of Eastern California's geological history, then jumps into 30 sites of interest, nearly evenly distributed between Death Valley & vicinity and the Eastern Sierra & vicinity. A glossary, "Sources of Supplementary Information," and an index round out the book.

Each site receives its own chapter, replete with photographs, maps, geological diagrams, and even driving directions, as needed. I'm not a serious geologist, but landscape features fascinate me. The explanations that the authors give work well for me: I can understand them well enough to explain them to children.

If you're interested in how the land has been shaped, if you're willing to turn off the tube & make contact with the natural world, then this book is for you. One of the best "field guides" to geology I own. One of my favorites, too. (The companion volume, GEOLOGY UNDERFOOT SOUTHERN CALIFORNIA, is also an excellent book).

I've always had an interest in geology, but have had only a little formal education in the subject. I've also been to Death Valley and Owens Valley a few dozen times. The accuracy and attention to detail in this book along with the vivid descriptions often made me feel like I was back there as I read. On more than one occasion, I could replay what I had seen when I was out there as I read (in some cases picturing things that I had hardly taken notice of when physically there). The many photographs and diagrams also helped immensely. The occasional touchs of humor made reading fun, and it being a series of vignettes, it's easy to cover a chapter in a short time and not worry about setting it down until later. I highly recommend this to anyone with an interest in geology and how the area got to be what it is today, and you don't have to be an expert to enjoy the book.